August 17th, 2017

PhD is almost done

For the last three years I’ve been working on a practice-led PhD, which has meant I have been able to record while researching the creative spaces of the studio. Nowadays, it is rare to record in a luxurious studio, but is that altogether a bad thing? The PhD has been provided the perfect excuse to help me find out.

My research involved production/recording sessions with The Oyster Murders, Chase City, and Tylea. In the coming weeks, I will have some more to say on this,  but until then, here are some clips/songs I recorded during my research:

The Oyster Murders –

Chase City –

I’ve updated the sidebar with some songs I’ve recently mixed, by the Montreals, Hey Geronimo, Morning Harvey, and more.

I’ve also done a little bit of plain old engineering lately.
I recorded one song for Little May (Dew Process), with my good friend Rob Muinos producing. Hopefully, it will be released soon. And I recorded a few songs for Ben Ely’s upcoming solo album.

March 10th, 2016

New Jungle Giants Video

March 10th, 2016

Machine Age

February 24th, 2016

Updates

I’ve updated the site and I’ve decided to start a new Blog page. Exciting times.

Now I’ve got your attention, listen to this –

July 15th, 2015

9 months in 500 words or more

This is a long but thorough update, so you’ve been warned. It’s been a long time since my last update, but don’t take my tardiness for laziness. I’ve been the busiest I’ve been in quite some time.

Since Applewood closed its doors in September 2014, I settled into Yanto’s mixing room; the Valley Underground (unless we change the name). There I mixed a Gin Club album and tracks for Babaganouj and The Stress of Leisure, among others. The family settled into a new house (the 4th in 3 years) and I went off to Rathdowney to track the new Jungle Giants record in a farmhouse on a cattle property. I won’t be doing the mobile studio thing like that in a hurry, but I must say the results are fantastic. The band loved it there and it reinforced my belief the ownership of the space is one of the most important concepts in the recording studio.

That took us to the Christmas break.

I hurriedly tracked an EP for Tjupurru and the Bulldawadda at the Shed to kick the year off. From there I set up a new mixing room named Joe’s Garage. It was the old control room that was previously Wavelength recording studios. It was good to be back with my gear and settled into my own space. Tjupurru was mixed first and then onto mixing the Jungle Giants record, which as last time was an epic journey.

I also managed to squeeze in a session for Kjartan of Sigur Ros fame. He was doing a soundtrack for an Icelandic film about Castrati. He needed an extra vocal take from the singer who was singing the parts for the lead character. Of course it was Harpa, one of the singers in Bjork’s choir. Yes, Bjork has her own choir and Harpa is a woman who was here on holidays. It was a short two hour session reduced to my laptop and an Mbox, as my Neanderthal like protools system couldn’t handle video and recording at the same time (it’s not something I do often). Never the less, it was not your average day.

I also did a week at Airlock getting all arty with Silver Sircus, for album number two. Again we mixed at Joe’s garage. I’m getting used to travelling again, but I miss Applewood very much. Having all the stuff I like lying around can make things easier, but it’s also good to be out of my comfort zone. Really, I think I just like a good whinge.

I also did a session at 301 Byron with Tasmanian band Chase City. Great to have a go on the old Neve again, and it’s great to have an assistant. Even working in a great studio doesn’t mean I don’t need a car full of stuff. There I go whining again.

Apart from all this, I mixed an EP for Morning Harvey, an album for Moski Jo, Moses Gunn Collective and finished off an album with The Stress of Leisure, before I working a six month stint at Joe’s Garage. I sold my Protools system and my beloved console to Empire studios in Moorooka and I moved my favourite bits of outboard gear into Yanto’s Valley Underground Studio, where it all began at the beginning of this post. I’ll be able to spend more time on my PhD and less time worrying about how I’m going to pay the studio rent.

So in short, I’m reducing my production work considerably, unless it’s part of my research. I will be mixing one week out of every month. You can still try to contact me, maybe you’d like to be part of my research, or maybe you’ll find that right moment, where I can make time to work on your project.  If you’ve read this far, thank you and hopefully we can still work together some day.